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This 15th century Missale speciale contains the formulas for the Mass for the highest holidays of the church year (Christmas, Epiphany, Easter, Ascension, Pentecost, Trinity Sunday, Michaelmas, All Saints' Day and the dedication of the church) as well as for the Mass for the dead and for several votive Masses. This compilation was suited for worship service in a chapel. An image of the crucifixion of Christ has been removed from this manuscript.
Online Since: 12/14/2018
This small format missal, written in 1483, was used by members of the Franciscan order, as can be deduced from the calendar that precedes it. In the 16th century, it belonged to Rudolf Gwicht, Conventual at Muri, who later became abbot of Engelberg Abbey. In the calendar, he recorded his entry into the monastery and added his coat of arms to the back pastedown.
Online Since: 10/04/2018
This missal is the oldest surviving document in the Canton of Appenzell Innerrhoden; it is owned by the parish St. Mauritius in Appenzell. It was probably created for a church in the Diocese of Constance, its exact origins, however, are unknown. The missal is also important to the history of the region of Appenzell because it contains the only surviving copy of the deed of foundation of the parish of Appenzell from the year 1071. The volume contains separate parts (calendar, gradual, sequentiary, sacramentary, lectionary). The calendar is particularly rich in saints' days, although none is rubricated as a patron saint's day.
Online Since: 12/17/2015
Missal for the Diocese of Basel, created around 1460. This richly illustrated volume was part of a donation by the widow Margaretha Brand († 1474) to the Carthusian Monastery of Basel. It was used at the altar of the holy Virgin in the small cloister of the Carthusian Monastery. In terms of art history, the manuscript can be assigned to the "Vullenhoe-Gruppe."
Online Since: 09/26/2017
This manuscript contains the French text of the heroic epic (chanson de geste) Ami et Amile. The scribe gives the period of the creation of this copy (from 16 May to 23 June 1425) in a colophon. The text is written in a Gothic cursive and is punctuated by numerous rubricated initials that mark the beginning of each verse. The modern cardboard binding is covered by a parchment fragment from a 15th century missal. An inscription on the flyleaf indicates that this volume was a gift to the writer Anne de Graville (1490-1540). Later it was part of the collection belonging to her son-in-law, the bibliophile Claude d'Urfé (1501-1558). In the 19th century, the work came into the possession of the philologist Wilhelm Wackernagel (1806-1869), who donated it to the University Library Basel in 1843.
Online Since: 10/04/2018
This fragment, consisting of 1 leaf, contains an excerpt from a missal with neumes, which probably originated in the Strasbourg area based on its contents, the celebration of St. Arbogast. Around 1650 it was re-used, presumably in Bern, as dust cover for a school notebook of Niclaus Frisching (BBB Mss.h.h. XXIV.183), from which it was removed in 1944.
Online Since: 07/02/2020
This missal following the practice of the Diocese of Constance was written for the church in Hochdorf (Lucerne) in 1474-1475 by Johannes Dörflinger, prebendary of Beromünster. The manuscript was commissioned for the new chaplainry of Sts. Peter and Paul, probably by its founder, the parish priest and dean Johannes Teller. It contains delicate filigreed initials at the beginning of the various liturgical sections and a full-page miniature of the Crucifixion (f. 106v), which introduces the Te igitur. Several pages originally left blank hold copies of the most important documents concerning the establishment of the prebend of Sts. Peter and Paul in Hochdorf (f. 78r-82v).
Online Since: 09/23/2014
It is highly likely that this codex is the original transcription of the neumed manuscript in the hand of Guido von Arezzo commissioned by Abbot Johannes I of Schwanden shortly before 1314. The calligraphic copies found in the other "Schwanden codices" were then produced following this source. Evidence of heavy use indicates that these manuscripts remained in use into the 17th century, that is, until the liturgical reform of the Council of Trent. The forms used are from the Alemannic choral dialect, which is still sung in Einsiedeln today.
Online Since: 11/04/2010
This codex begins with works of Augustine: 1r-27v Liber de gratia et libero arbitrio, 28r-63r letters from and to Augustine De praedestinatione and 63r-93r Liber secundus de dono perseverentiae. Then follows the Tractatus de gratia et libero arbitrio first produced by the Cistercian Abbot Bernard of Clairvaux in 1127. Folios 1-80 are palimpsests. The book's decoration limits itself to rather awkward red decorated initials and first lines at the beginning of each book, red-accentuated capitals and a pen drawing on 93r. On 111r there appears, as in Cod. 138 a later note of ownership, in a hand that resembles that of Cod. 90.
Online Since: 10/04/2011
The bulk of this codex contains Hugh of Saint Victor's De sacramentis fidei christianae (10r-147r). Preceding it are two short treatises on the Antichrist (Ps.-Augustine 1r-6v and Peter Damian 6v-10r), and after it comes a collection of opinions of and excerpts from Hrabanus Maurus' De universo. With very few exceptions, 1-44 are palimpsests. The pages towards the end have many large holes and tears or are partially excised; one folio, between 10 and 11r, is missing entirely. The writing is characterized by several changes of ink and hand, and the page ruling is not uniform. Except for simple red and black initials and rubricated lines, there is no book decoration whatsoever. A pair of marginal notes appear on 112v. Although the codex contains no univocal indication that it was produced in Engelberg, a few similarities with the volumes produced under Abbot Frowin (1143-1178) suggest it.
Online Since: 10/04/2011
This manuscript, which consists of only 28 leaves and which contains a part of a missal for the Ambrosian Rite, comes from the Oratory of St. Bernardino in Faido (Ticino); under the patronage of the Varesi family, this chapel was newly consecrated in the 15th century (probably 1459). The manuscript was donated to the Oratory by the Varesi family, possibly for this occasion, in order to allow the celebration of the Holy Mass. A quire containing the mass for the patron saint St. Bernardino (20-25) was added to the first quires (1-12, 16-19), as well as the loose leaf with two miniatures representing the Maiestas domini and the crucifixion. The script, a Gothic rotunda of the Italian type, contrasts with the miniatures which show a certain relationship to contemporaneous colored engravings of German origin.
Online Since: 06/13/2019
The prayer book was written in 1475 (f. 217v). The place of origin is unknown. The text begins with the incipit Diss büchlin ist von anis und zwantzig festen und von sextechen hochziten die durch das gantz jahr begangen werdent [...] (f. 1r). The initials and the incipit are highlighted in red. Otherwise, the text appears unadorned and was written in brown ink by one main hand in one column. Bound into the center of many quires are reinforcing strips from a 14th century missal (written in textualis). The leather binding, which was created at the same time as the manuscript, is decorated with diagonally arranged decorative lines and ornamental stamps.
Online Since: 12/10/2020
Probably written around 1200 in Hauterive, this Cistercian missal has recently attracted the attention of historians who study St. Elizabeth of Hungary (1207-1231). Together with another manuscript from Hauterive, the antiphonary L 301, this manuscript is considered evidence of the rapid spread of the cult of the saint in a Cistercian monastery. Indeed, the general chapter of the Cistercians decided in 1236 to have the name of the saint, who was canonized the previous year, entered into the martyrology and into the calendar of the order. The corresponding entry in our manuscript's calendar, by a second hand, is probably a consequence of this decision.
Online Since: 04/09/2014
This Cistercian missal, produced around 1300, “represents an already advanced phase in the development of this type of liturgical book: the chants of the gradual are completely integrated into the sacramentary, and are no longer accompanied by musical notes; moreover, they are written in a smaller script. In this form, the missal could have served the celebrant for both the conventual mass and for the private mass that Cistercians are known to have held since their origins. The geographical origin of the codex has not been determined with certainty. Without doubt, however, from the fifteenth century onward it was at Hauterive, where it was re-bound. The rich decoration in the canon section provide a fine example of fleuronné initials from the end of the thirteenth century; here, the decoration of the scrolls seems to be still “domesticated” by rigorous framing.” (Joseph Leisibach, Liturgica Friburgensia. Des Livres pour Dieu, 1993, p. 89).
Online Since: 03/31/2011
This missal from the diocese of Lausanne reflects the contents of manuscript Ms. 7 from the Franciscan monastery of Fribourg. The manuscript is decorated with elegant fleuronné letters in red, blue and green, and the page with the Te igitur is framed by a frieze of flowers with a bird holding a flower in its beak. The opposite side, which probably contained a miniature with the crucifixion, has been cut out. The missal was part of the collection of Karl Friedrich von Steiger (died 1982) and was purchased by the BCU Fribourg in 1991.
Online Since: 10/08/2020
According to the calendar and the sanctoral, this missal was meant for the use of St. Pierre Cathedral in Geneva. Produced in the 14th century, the manuscript was restored in the 15th century and increased by several leaves, a sign that it was still in use at this time. An old miniature showing, among others, a crucifixion and a historiated initial depicting Pentecost – both original – was painted over with an image of angels bearing the coat of arms of Geneva (f. 95r). After the Reformation, this missal, together with other books from the Cathedral Chapter, was stored at the city hall (Hôtel de Ville), before it was finally transferred to the Bibliothèque de Genève in 1714.
Online Since: 12/14/2018
The incipit of the temporal (f. 1r: Incipit missale secundum usum maioris ecclesie gebennensis) indicates that this missal was meant for the use of St. Pierre Cathedral in Geneva. This very neat volume, containing no calendar, no Sanctorale and no Commune Sanctorum – with the exception of one erased column of text (f. 145v) – was probably produced in Geneva in the 15th century. According to Huot, this is the oldest liturgical manuscript to have entered the collection of the Bibliothèque de Genève at the end of the 17th century.
Online Since: 12/14/2018
Urbain Bonivard, prior of Saint-Victor in Geneva from 1458 to 1483, produced this missal in 1460. The missal follows the liturgical practices of Cluny; the miniatures are the work of Janin Luysel and Guillaume Coquin. During the Reformation the manuscript disappeared from Geneva and only came to light again in 1912 when the city of Geneva bought it at an auction in Munich.
Online Since: 12/09/2008
This gradual contains the most important chants for the Mass throughout the liturgical year and for the saints. They are in Hufnagel notation. The graphic relation of text to melody is not always clear.
Online Since: 11/10/2016
15th century parchment missal, made for Bishop Johann von Venningen (1458-1478). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this missal. This manuscript was created at the same time as ms. 2 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover. For convenience, the order of the Ordo and the Canon was changed. Originally meant to be at the beginning of the manuscript, they were finally placed in the middle.
Online Since: 04/09/2014
Missal following the liturgical custom of the Diocese of Basel, datable to around 1300. In the 15th century, a part containing the Ordo Missae was added, preceded by a Crucifixion miniature. The binding was restored in 1992 and replaces the unpreserved original binding.
Online Since: 04/09/2014
Missal following the liturgical custom of the Diocese of Basel, commissioned by Christoph of Utenheim, prince-bishop of Basel between 1502 and 1527; he had his coat of arms, crossed with that of the Diocese of Basel, painted in the lower margin of f. 2r. The Canon of the Mass, decorated with a historicized initial depicting the Mass of St. Gregory, is not original but was added later. The border with flower decoration in the side margin and the presumed miniature of the Crucifixion in the beginning were removed.
Online Since: 04/09/2014
Given the liturgy and the presence of the Office for the Saint, this breviary originated in St. Lebuinus Church in Deventer (Netherlands). It belonged to Swibert de Keyserswerth (died after 1551), paternal grandfather of the Dutch organist and composer Jan Pieterszoon Sweelinck (1562-1621).
Online Since: 04/09/2014
Gradual dating from the 12th century, used by the Prémontré order at the Abbey of Bellelay.
Online Since: 04/26/2007
This missal is preceded by a calendar of saints (September-December) containing saints from the regions of Lausanne and of Basel, as well as by a dedication to the cathedrals of these two dioceses. Some parts of the text follow the usage of the diocese of Lausanne, others follow that of the diocese of Basel. A note on the inside cover indicates that the missal comes from Saint-Ursanne.
Online Since: 03/17/2016
This Missale speciale was created in 1333, probably at Muri Abbey, for the Chapel of St. Lawrence in Wallenschwil. It contains the texts for those masses that were read in the chapel in the course of the year.
Online Since: 12/20/2016
This single-column manuscript contains five partly incomplete texts by Augustine; it consists of two parts that clearly differ from one another, but that have been a single unit since before 1100, as can be seen from the entry in the Allerheiligen Abbey register of books from about 1100 (Min. 17, f. 306v). While the second part (69 ff.) is undecorated, the first part has an incipit page and an initial with scroll ornamentation. In the 15th century this codex, like many others, received a new leather binding with an inscribed front cover, metal bosses and a clasp, as well as a title label on 1r; a fragment from a 12th century missal with neumes was used for the front pastedown.
Online Since: 06/25/2015
Most parts of this missal, some of with neumes, were produced in about 1100. After 1200 they were bound together with a more recent addition. The characteristic initials with twining branches, the inclusion of the feast days of local saints in the calendar, the additional section, and other addenda indicate that the missal was produced in the monastery of Allerheiligen (All Saints) in Schaffhausen and remained in use there over the course of many centuries. It is one of the few liturgical manuscripts from this monastery that survived the Reformation.
Online Since: 12/19/2011
Fragmentary missal without beginning, missing the beginning of the Temporale, the entire Sanctorale - which could provide information about the location - as well as several pages. The elegant and careful Gothic script suggests that the manuscript was produced in the scriptorium of the Sion Chapter.
Online Since: 10/13/2016
Missal preceded by a calendar of the Diocese of Sion. The decoration consists of pen-flourish initials at the beginning of the most important holidays (e.g. 8r, 14v, 82r, 92r) and an image of the crucifix in the Canon of the Mass (101r). Thomas Züren of Unterwassern, one of the three copyists, explains in the colophon (193vb) that the volume was produced on the order of Clemens of Ulrichen for the altar of the Virgin in Aragno (Ernen).
Online Since: 10/13/2016
The original parts of the calendar indicate that this missal was meant for use in the Diocese of Lausanne, whereas the later entries attest to its presence and use in the celebration of the Mass in the Diocese of Sion at the latest since 1300. Three special sequences suggest that the missal originated in the Abbey of St. Maurice (188v: sequence of Theodulf Collaudetur rex virtutum; 190r: sequence of Augustine Augustino laude demus and 189r: sequence of Maurice Pangat Syon dulce melos). The Canon of the Mass is decorated with an illuminated initial, with the Vere dignum, and with a frame showing the crucifixion, the Virgin and St. John (97v). The most important holidays are introduced with decorated initials on a gold background (4v, 13rb, 17ra, 18ra etc.). In 1981, the Valais State Archives purchased this codex on the antiquarian book market.
Online Since: 10/13/2016
This Missale speciale from the second half of the 13th century is for the use of the Franciscan Order and contains the mass formularies for the most important feasts of the liturgical year, for votive masses, and for some rituals. Thanks to its small format, it could easily be taken along on journeys. Leisibach places its origins in the Savoy region, as the barely visible coats of arms of the de Sales family seem to confirm (f. 59v). The missal came into the possession of Charles Emmanuel de Rivaz (1753-1830), an important politician in the Valais. On the fly leaf, a note in his hand can be found, which lists the contents of the missal (f. A1r-v). His library was donated to the Valais State Archives by his descendants in 1978.
Online Since: 12/10/2020
This Missale Speciale Sedunense was written for the Sion bishop William of Raron (Guillermus de Rarognia) († 1451) in 1439 by Johannes Thieboudi. The parchment codex contains, in addition to a calendar, the Proprium de tempore, the Ordo et canon missae, the Commune sanctorum, the Proprium de sanctis (from Hilarius to Thomas the Apostle) and the Missae pro defunctis. An appendix includes three votive masses.
Online Since: 12/21/2010
This parchment manuscript produced in 1438/39 was commissioned by Solothurn mayor Henmann von Spiegelberg and his wife Margarethe von Spins as a Mass book for use on the St. George's altar in their chapel in the Cathedral of St. Ursen. The missal was probably produced in Solothurn. The Roman Missal (First printed in Milan in 1474 under the title Missale secundum consuetudinem Romane Curie still lacking the Rubricae generales and Ritus servandus) follows the Missale curiae, i.e., the Mass book created in about 1220 for the chapel of the papal palace.
Online Since: 06/22/2010
This missal of the Franciscan use contains Sunday and Feast-day masses from the Temporal and the Sanctoral. A possessor's mark from the Franciscan Franz Meyer, from 1587 warden of the Solothurn convent, proves that the manuscript came from that convent. Originally, it may have come, as Schönherr hypothesizes, from the Franciscan convent in Bern, which was dissolved during the Reformation.
Online Since: 09/06/2023
This small-format missal is an important witness for the Franciscan liturgy of the thirteenth century. Schönherr hypothesizes an origin in the Franciscan province of Upper Germany, and a Bavarian provenance (the convent of Franciscan nuns zum Heiligen Kreuz, Landshut?). A possessor's mark of the warden of the Franciscan convent of Dieburg near Darmstadt dates to 1513. It is not known how and when the manuscript got to Solothurn.
Online Since: 09/06/2023
This volume, assembled in the 14th century from four originally separate pieces, probably was the missal for the chapel at St. Margrethenberg (Sampans) above Pfäfers. The chants in parts 1 (1r-63v, 12th century), 2 (64r-77v, 13th-14th century) and 4 (129r-131v, 12th century) contain neumes, part 3 (78r-128v, 14th century) is in square notation.
Online Since: 10/08/2015
Two codices in one volume. The first codex (pp. 1-288; early 12th century) contains the Pauline epistles with the Glossa ordinaria and four prologues: anonymous prologue, Stegmüller, Repertorium biblicum, No. 11086 (p. 1), prologue by Pelagius (?), Stegmüller, RB 670 (pp. 1–2), prologue by Pelagius, Stegmüller, RB 674 (pp. 2–3), prologue by Marcion, Stegmüller, RB 677 (p. 3). P. 3 also contains excerpts from the Decretum Gratiani (D. 28 c. 17), the Concilium BracarenseII, can. 2, and one more canonical text. This is followed by the Pauline epistles in the customary order (pp. 5-287), including the apocryphal Epistle to the Laodiceans (pp. 216-218). The second codex (pp. 288-448; 12th century; from p. 417 on 12th/13th century) primarily contains excerpts from sermons and other works by Jerome (pp. 289–374 and 386–387), interposed with more sermons (pp. 382–386, 387–403 and 408–415) and other works, in part only as excerpts: Grimlaicus, Regula solitariorum, cap. 3–5 and 31–34 (p. 374–381); anon., De consanguinitate BMV (pp. 403–407); Gregory of Tours, Miracula 1, 31–32 (on St. Thomas; pp. 407–408); Amalarius of Metz, Ordinis missae expositio I, prologue and cap. 17 (pp. 415–416); excerpt from Gregory the Great, Regula pastoralis, cap. 12 (p. 416); Peter Abelard, Sententiae 1–60 and 102–247 (pp. 417–448). The front and back covers show imprints of fragments from a 10th century missal.
Online Since: 06/13/2019
Contrary to Scherrer, this missal does not come from the fourteenth century, but rather from the first half of the fifteenth century. In addition to a full-page image of a canon on p. 179, the decoration includes pen-flourished initials (p. 77b, 413a, 434a etc.) as well as outlined, but not completed, zoomorphic and historiated initials. Thus, for example, on p. 12a for Christmas there appears an initial in the form of a dragon enclosing a Nativity scene and, on p. 92a, for the Dedicatio huius monasterii, an initial with a man in a tree. Notable are the numerous sequences that the missal contains. According to the possessor's note on p. 1, Sanctorum Iohannis Baptiste et Evangeliste, the manuscript was held by the Abbey of St. John in Thurtal since at least the eighteenth century.
Online Since: 04/25/2023
This missal was most likely written for the Grossmünster of Zürich (from a comparison with the Grossmünster's Liber Ordinarius); it contains the proprium de tempore, proprium de sanctis (with the major feasts of Zürich), commune sanctorum and votive masses. The chants are written in smaller letters throughout, but only on a few pages do they appear together with melodies in neumatic notation. The canon missae (pp. 73–83) begins with a simple drawing of a canon. With that exception, the decoration is limited to at most two-line red lombards.
Online Since: 12/14/2022
According to the particularly venerated saints in the calendar (pp. 6–17, the months are in the wrong order), this missal, written on fine parchment, belonged to a convent of Dominican women dedicated to St. Agnes. The canon missae (pp. 193–204) is introduced by a high-quality drawing, whose similarity to the depictions of the crucifixion in the Dominican convent of Constance has been emphasized in the art-historical literature. But it is unlikely that the manuscript was produced in the Diocese of Constance, since, among others, Gallus and Otmar are missing from the calendar; rather, the calendar points to a Strasbourg provenance. The missal is richly decorated with red and blue pen-flourished initials. On p. 18 there is an Exorcismus salis et aquae; following the Commune sanctorum there appear votive masses (pp. 426–446) and sequences (pp. 447–461). The manuscript was in St. Gall since the sixteenth or seventeenth century at the latest (possession note on p. 5).
Online Since: 12/14/2022
Pontifical missal of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript consists of two parts: the first part (p. 5-102) was written by the Wiblingen conventual Simon Rösch, the second part (p. 103-236) was perhaps not added until after the death of Abbot Ulrich Rösch. Only the prefaces (p. 83-102) have melodies in German plainsong notation ("Hufnagelnotation") on 5 lines. There is also the abbot's coat of arms (p. 5) and an image of the crucifixion with medallions of the four evangelists (p. 70). Several pages have book decorations in the form of borders and initials, sometimes with gold leaf.
Online Since: 10/07/2013
Pontifical-missal of the St. Gall Abbot Diethelm Blarer (1530-1564) – the finest 16th century manuscript in Switzerland.
Online Since: 12/31/2005
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The second folder of Cod. Sang. 1397 contains fragments, predominantly with musical notation, from nine liturgical manuscripts from the tenth/eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fourth folder of Cod. Sang. 1397 contains fragments with musical notation from six liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The sixth folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the eleventh to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The tenth folder of Cod. Sang. 1397 contains fragments, including two with musical notation, from six liturgical manuscripts from the tenth to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eleventh folder of Cod. Sang. 1397 contains fragments, including one with musical notation, from eight liturgical manuscripts from the ninth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twelfth folder of Cod. Sang. 1397 contains fragments from nine liturgical manuscripts from the eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fourteenth folder of Cod. Sang. 1397 contains fragments from eight liturgical manuscripts from the eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fifteenth folder of Cod. Sang. 1397 contains fragments from three liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023