Pontifical rites for Johannes Feierabend, Abbot of the Cloister at Muri from 1500 through 1508. On July 12, 1507 Pope Julius II conferred the pontifical upon Abbot Johannes Feierabend and his successors.
Online Since: 11/03/2009
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is in chronological order the last of the illustrated Swiss Chronicles of the late Middle Ages. It was written by private initiative between 1510 and 1535 and took as its model primarily the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the third and last of the Chronicle, presents the events of the Burgundian Wars and the Swabian War; it ends with the Italian military campaigns, among others the Battle of Marignano on September 13th and 14th 1515, in which presumably the author himself took part. The volume is illustrated with 196 uncolored pen sketches by an anonymous artist. Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archives in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012
Part two (New Testament) of an illuminated three-volume bible (of which MsWettF 1 and MsWettF 2 remain), probably bequeathed to the cloister of Wettingen by Rudolph Schwerz, choirmaster of the Grossmunster Cathedral of Zurich and pastor of Altdorf. The origin of the Biblia Sacra is not documented, but it is assumed that it originated in the Zurich art circle. There is some text loss because certain initials have been cut out.
Online Since: 12/19/2011
Part (Genesis-Ezra) of an illuminated three-volume bible (of which MsWettF 1 and MsWettF 2 remain), probably bequeathed to the cloister of Wettingen by Rudolph Schwerz, choirmaster of the Grossmunster Cathedral of Zurich and pastor of Altdorf.
Online Since: 11/04/2010
This manuscript, which probably originated in a German-speaking region, contains a Biblia sacra decorated with numerous initials with a gold ground, as well as the short tract entitled De fructibus carnis et spiritus, attributed to Hugo of St. Victor or Conrad of Hirsau, with two schematic diagrams. During the 16th century the richly decorated manuscript was owned by Christoph Silberysen, Abbot of the Cistercian cloister at Wettingen.
Online Since: 11/04/2010
The second volume of the three-part so-called "Wettinger Graduale", made in Cologne for a cloister of Augustinian hermits, transferred from Zurich to the Cistercian cloister of Wettingen after the Reformation. The illuminated initials in this second volume are the work of the "Younger Master of the Gradual" (Willehalm-Meister).
Online Since: 12/17/2015
The third volume of the three-part so-called "Wettinger Graduale", made in Cologne for a cloister of Augustinian hermits, transferred from Zurich to the Cistercian cloister of Wettingen after the Reformation. The illuminated initials in this third volume, like those in the second (MsWettFm 2) are the work of the "Younger Master of the Gradual".
Online Since: 11/04/2010
The family register of the pharmacist Hans Friedrich Eglinger (1608-1675) from Basel provides insights into 17th century pharmacy and its networks. The book contains mostly German, French and Latin sayings by various authors, addressed to Eglinger. In some cases, they are splendidly illustrated. One illustrated entry by Jacobus Mozes on f. 53r depicts a very large mortar in the center. The title page is decorated with a baroque tempera painting.
Online Since: 09/26/2017
This meticulously executed manuscript contains the first part of Thomas Aquinas's Summa theologiae, one of the Scholastic's main works; it is from the library of Johannes de Lapide, Carthusian monk in Basel. The quires consist of paper and parchment in regular alteration; the proem begins with an ornamental page decorated with gold with a Q-initial on gold leaf, scroll ornamentation with flowers and berries in the margins, and a decorated intercolumnium.
Online Since: 12/14/2017
German translation of the postil on the Psalms by Nicholas of Lyra (deceased 1349), probably created during his lifetime. The commentary on the Psalms, earlier attributed to Heinrich von Mügeln, is the work of an anonymous writer, not yet historically ascertained, the so-called “Österreichischer Bibelübersetzer“ (Austrian translator of the Bible). In his translation of the original, he abbreviates the text and supplies additions. This copy from the library of the Carthusian monastery of Basel dates to the middle of the 15th century; the miniatures are part of the Vullenhoe group.
Online Since: 12/20/2016
This manuscript from the beginning of the 13th century is of unknown origin; it contains monastic and canonistic writings, among them, for example, the monastery rule that Benedict of Nursia issued for his monastery at Monte Cassino in 529, Gregory the Great's Regula pastoralis about the ideal of the (secular) pastor of souls from the late 6th century, or the abbreviated version of a part of the Decretum Gratiani from the 12th century.
Online Since: 09/26/2017
Famous for the two portraits of Gregory of Nazianzus and Elias of Crete, as well as for a unique cycle of illustrations in honor of Gregory (of which 5 have been lost), this codex is also noteworthy for its content (19 commentaries by Elias of Crete, still unpublished in Greek) and for the story of its creation. The commentaries were copied around the end of the 12th or the beginning of the 13th century, a project that did not provide for miniatures on the frontispiece. These were added a short time later, together with a prologue. The codex still retains the binding that was created in Constantinople between 1435 and 1437 during a restoration for its new owner, the Dominican John of Ragusa, who brought the codex to Basel in 1437.
Online Since: 06/22/2017
The Matriculation Register of the Basel Rectorate, recorded in manuscript form from 1460 to 2000, contains semester and annual information notices added by each successive rector as well as lists of enrolled students, thus providing an important resource for the history of the University of Basel. In addition, Vol. 1 contains records in illustrations and text of the opening of the university. The rich book decoration in the first three volumes is particularly notable. The work of 3 centuries, it is easily datable due to the chronogical order in which it was added and thus provides a welcome demonstration of the art of miniature painting in Basel.
Online Since: 12/21/2010
This volume of registers from the faculty of arts contains, as its oldest and originally sepa-rate part, the statutes of the faculty. At the end of the 15th century, they were bound toge-ther with an academic calendar and with two registers containing the names of students and graduates (‘baccalaureates') matriculated since 1461. Quires originally left blank for this purpose continue the list of degrees (‘magister' and ‘baccalaureate') awarded until 1848.
Online Since: 06/25/2015
In this twelfth-century Greek manuscript of the New Testament, divided in two parts (without the Apocalypse), the Epistles and Acts were surprisingly placed before the Gospels. Magnificently illuminated, this codex has initials that represent the epistolographers of the New Testament; one miniature depicts John the Evangelist and Christ's descent into Hell (f. 265v). In the fifteenth-century, John of Ragusa, a delegate from the Council of Basel, bought the codex in Constantinople; he then bequeathed it on his death to the Dominicans of Basel. The codex passed into the hands of Johannes Reuchlin, as well as those of Erasmus for his first edition of the Greek New Testament (1516).
Online Since: 09/26/2024
A German Psalter, written in 1485 by Johannes Waltpurger, perhaps in Augsburg. The ornamental page decorated with vine scroll with the beginning of the first prologue is almost identical to one in a Cambridge manuscript by the same scribe. The back pastedown, glued to the cover, depicts a landscape showered in blood. It is not clear how this manuscript came to Basel.
Online Since: 06/25/2015
This magnificent book of hours probably was created in the third quarter of the 15th century in Northern Italy. The style of the painting and of the veneration of the saints suggests the region around Modena, Este, Ferrara. The historiated initials in the calendar show the twelve months; at the beginning of the offices there are ornamental pages with illustrations mostly from the life of Christ. The miniatures and initials are executed in opaque colors and in gold. In the 20th century, this manuscript came to the university library from the Kunstmuseum Basel.
Online Since: 09/26/2017
Third volume of a Latin Bible originally in four parts that was made in Basel between 1435 and 1445. Illustrated by an anonymous artist, the volumes were written by Heinrich von Vullenhoe, one of the most important calligraphers of the Carthusian Monastery of Basel. The biblical books follow the order specified in the liturgy. Also included in this group are codices B I 2 and B I 3.
Online Since: 12/20/2016
Fourth volume of a Latin Bible originally in four parts that was made in Basel between 1435 and 1445. Illustrated by an anonymous artist, the volumes were written by Heinrich von Vullenhoe, one of the most important calligraphers of the Carthusian Monastery of Basel. The biblical books follow the order specified in the liturgy. Also included in this group are codices B I 1 and B I 3.
Online Since: 12/20/2016
Missal for the Diocese of Basel, created around 1460. This richly illustrated volume was part of a donation by the widow Margaretha Brand († 1474) to the Carthusian Monastery of Basel. It was used at the altar of the holy Virgin in the small cloister of the Carthusian Monastery. In terms of art history, the manuscript can be assigned to the "Vullenhoe-Gruppe."
Online Since: 09/26/2017
This manuscript, sparingly decorated with foliate and figure initials, was produced at the end of the 12th century and belonged to the Carthusian Monastery of Basel. In addition to the glossed cantica ad laudes et ferialia, it primarily contains the Psalter with the glossa ordinaria, the standard medieval commentary on the biblical texts. The layout of the text is in the customary catena-style: the text of the Psalm is in the middle of the page, surrounded by interpretation in the margins and betweens the lines.
Online Since: 12/14/2018
This Gospel Book, written in an accurate Carolingian book hand, was probably created in the Marmoutier abbey by Tours. It features richly decorated initials and artistically designed frames for the canon tables. The manuscript was a gift to the Carthusians of Basel from the former dean of Rheinfeld, Antonius Rüstmann, in 1439.
Online Since: 12/14/2017
The Legenda aurea by the Dominican Jacobus de Voragine (about 1228-1298) is one of the most widely known spiritual collections of the Middle Ages. This 14th century manuscript from Bologna preserves it along with further legends of the saints. The codex is written in a regular Italian Gothic script and, as a matter of routine, is carefully decorated; a large lacuna in chapter 45 (legend of St. Michael) was augmented by a 15th century hand. The volume belongs to the library of the Carthusian Monastery of Basel.
Online Since: 12/20/2016
This small-format parchment volume from the Carthusian Monastery of Basel is composed of three originally separate fascicles. The first is decorated with three initials (1r, 53r, 58r) and contains the Stimulus dilectionis by Eckbert of Schönau along with prayers, Penitential Psalms and a Litany of the Saints. This is followed by the fragment of a prayer book, which is missing the beginning as well as the end. The third part contains a compilation from Bonaventure's Soliloquium and Hugh of St. Victor's De vanitate mundi. The heavy soiling of pp. 24-53 (Agenda defunctorum and Penitential Psalms) should be noted; it indicates intensive use of this part of the codex.
Online Since: 10/04/2018
This composite manuscript is from the library of the Carthusian Monastery of Basel; it contains the first part of the Orationes et meditationes de vita Christi by the mystic Thomas à Kempis (1379-1471), one of the most important representatives of the Devotio moderna. The script and decoration of the fascicle indicate a Dutch school. A central printed part is followed by a collection of supplications and prayers in Latin.
Online Since: 12/14/2017
This small-format parchment manuscript is from the Carthusian Monastery of Basel, where it was completed in 1478 by the scribe Johannes Gipsmüller. The numerous devotional texts on various female saints have mostly been passed down anonymously; some – such as those on Margareta, the patron saint of the Carthusian Monastery of Basel – can probably be attributed to Heinrich Arnoldi. The codex is decorated with full-page illustrations of saints treated in the text as well as numerous initials, the latter in a variety of styles.
Online Since: 12/10/2020
The first part of this composite manuscript from the Carthusian Monastery of Basel contains Aristotle's writing on the soul, De anima, in William of Moerbeke's translation, copied in Paris in 1459 by the scholar Johannes Heynlin. The main text, decorated with artistic initials with gold leaf as well as fleuronné initials, is closely surrounded by commentary in marginal and interlinear glosses, written in a small, compact semi-Gothic script. Bound into this volume as the second part is Aristotle's De animalibus, printed in Venice in 1476; this text's uncharacteristic lack of decoration at least raises the question of whether it was also part of Heynlin's library.
Online Since: 06/25/2015
This legal manuscript was owned by the Basel jurist Arnold Zum Luft (1453-1517). The manuscript was produced in Bologna in the second half of the 13th century and contains the Digestum vetus, the first part of the tradition regarding existing laws, dating from late antiquity, together with the explanatory glosses compiled by Franciscus Accursius. In addition to Arabic and Roman numerals, the manuscript also presents a vigesimal numeral system.
Online Since: 09/26/2017
Like C I 1, this 14th century legal manuscript was produced in Bologna and was owned by Arnold Zum Luft (1453-1517). It contains the Digestum novum with Accursius' glosses, i.e., the fourth and last part of the corpus of the Digest of ancient Roman legal literature. The manuscript is richly decorated with title miniatures and figure initials.
Online Since: 09/26/2017
This 14th century parchment manuscript contains the commentaries of the legal expert and canonist Johannes Andreae (around 1270-1348) on the Liber Sextus Decretalium Bonifacii, the third part of the Corpus iuris canonici. The volume came into the possession of the Carthusian monastery of Basel during the Council (1431-1449).
Online Since: 09/26/2017
Canonistic manuscript with Dominicus de Sancto Geminiano's Lectura super librum sextum Decretalium. This volume was written in 1439 by Johannes Berwenstein for Peter Zum Luft, who was teaching at the university of the Council of Basel and who later left his extensive book collection to his nephew Arnold Zum Luft.
Online Since: 09/26/2017
This manuscript from the second quarter of the 15th century contains the Lectura super Clementinas by Johannes de Imola; it is from the extensive library of the Basel jurist Arnold Zum Luft (1453-1517). This volume, originally a catenatus, contains initials by the same hand as in C I 21.
Online Since: 09/26/2017
This manuscript, a composite manuscript of legal content, has as its main text the Summa super rubricis decretalium by the Italian legal scholar Godefridus de Trano (deceased 1245). This is a textbook on the Compilation of Decretals commissioned by Pope Gregory IX, which was widely distributed. The text is decorated with five small figure initials, probably of French origin.
Online Since: 03/22/2018
This incomplete liturgical psalter was made between 1335 and 1350 in Naples. The unusual decorations are the work of the artist Christoforo Orimina. Because the manuscript contains three different coats of arms, the original owner (a member of the Angevin court in Naples) can not be definitively named. After changing hands many times during the 19th and 20th centuries, the manuscript was acquired in 1968 by the owner of the collection "Comites Latentes" ("Hidden Friends") held by the Bibliothèque de Genève.
Online Since: 12/09/2008
This elegant pocket-size book of hours was illuminated in Tours around 1480 by the Maître des camaïeux d'or Le Bigot, who was active in the circle of the painter Jean Bourdichon. The sixteen tiny historiated initials in camaïeu d'or that are contained in the manuscript succeed the usual repertoire with an original cycle dedicated to the seven days of Creation. The artist demonstrates his exceptional technical mastery by lending the body of the initials an especially attractive evanescent character. The subtle arrangement of the surrounding letters should invite the anonymous patron to appreciate the meticulous combination of gold and colors in detail.
Online Since: 12/14/2018
This precious book of hours was made in Florence around 1470-1480. Its rich and elegant illumination is due to the close circle of the most famous florentine miniaturist of his time, Francesco d'Antonio del Chierico. The same hand is responsible for the major illuminations at the beginning of the various sections as well the initials in the text. The flourished initials are of great elegance. A partly erased coat of arms on the opening leaf indicates that the book of hours was made for the wedding of a male member of the Serristori family. The manuscript entered in the collection of the present owner in 1970 and it was deposited at the Bibliothèque de Genève as part of Comites Latentes.
Online Since: 06/23/2014
This handwritten Haggadah Comites Latentes 69 was created in Vienna in 1756. It is decorated with black ink and masterfully imitates copper engraving. The author is the famous scribe and illustrator Simmel ben Moses from Polna (active between 1714 and 1756), who produced about thirty dated manuscripts that have survived until today, of which, however, only 17, including CL 69, are autographs. His works of art are among the most remarkable examples of Hebrew manuscript decoration in 18th century Central Europe. The Song of Solomon, copied by later hands, concludes this magnificent manuscript.
Online Since: 06/22/2017
This richly decorated book of hours was illuminated in Tours in about 1500, for an owner from Toulouse. In the 15th century, the city of Tours and the Loire valley region were home to the court of the kings of France. This manuscript is closely connected to that glorious past era. The name of court painter Jean Bourdichon (ca. 1457-1521) is associated with two of the miniatures in this book of hours. The other 35 miniatures were painted by three book painters from the atelier of Jean Poyer (+ before 1504), also well-established in Tours.
Online Since: 07/04/2012
This volume is a collection of letters, made in 1467 and 1468 in Naples for Roberto da Sanseverino, Prince of Salerno, contains letters by Diogenes of Sinope, Brutus and Hippocrates, who were regarded during the middle ages as the true authors of these letters. They were translated into Latin by Francesco Griffolini Aretino and Ranuccio of Arezzo. This book was presented for sale several times during the 20th century and passed through the hands of prestigious collectors.
Online Since: 04/15/2010
This manuscript, of French origin, came to the Carthusian Monastery of Basel after having been the property of Johannes Heynlin. The massive volume contains Aristotle's six works on logic, some with commentary, which were assembled into the so-called “Organon“ only after the time of Aristotle. The decoration and science are complementary: each of the books of the main text begins with an elaborate ornamental initial; the commentary, if there is one, is grouped closely around the main text and is mostly unadorned.
Online Since: 03/22/2018
This 14th century manuscript, possibly produced by means of the Pecia System, contains the Super ethica and De causis et processu universitatis by Albertus Magnus. The Pecia System is a method for the quick handwritten reproduction of an original: instead of copying the text as a whole, it is divided into several sections so that several scribes could simultaneously work on creating a copy. This volume belonged to the Dominican Johannes Tagstern and thus became part of the chained library of the Dominican Convent of Basel.
Online Since: 06/25/2015
Since the 9th century, Aristotle's Historia animalium, an orderly description of various creatures, had been available in an Arabic translation, which Michael Scotus translated into Latin in 1220. The decoration of the initials in this manuscript, which Johannes Heynlin purchased in Paris and bequeathed to the Carthusian monastery of Basel, is rich in drolleries. Throughout the volume, there are annotations by various hands.
Online Since: 12/14/2017
The parts of this volume, originally bound separately, were bound together in the Basel Franciscan library. They contain different works of Cicero and the Englishman Geoffroy of Vinsauf's Poetria novella and were produced in Italy. There are many indications of previous owners, but none have been identified with certainty. One of the parts belonged to Niccolò dei Salimbeni – probably not the rich young man in Dante's Inferno, but perhaps one of his descendants in Siena. Another part once cost the father of a certain Nicholaus de Monleone 5 ducats and 30 shillings. Finally, the value of the whole volume was set at 320 Swiss Francs by the Zurich experts, who were assigned to prepare a division of property after the 1833 split of the Canton Basel.
Online Since: 09/26/2024
This French manuscript from the third quarter of the 15th century contains two works from ancient times. Nonius Marcellus (4th/5th century) offers linguistic and factual explanations on Latin authors mainly from the time of the Republic, partly in alphabetically-ordered lemmas; M. Terentius Varro († 27 BC) addresses linguistic questions concerning the Latin language.
Online Since: 06/25/2015
Famous collection of wise sayings attributed to the caliph ʿAlī Ibn Abī Ṭālib (deceased 661). Each proverb in Arabic is followed by its translation into Persian in Maṯnawī verses in Ramal meter. The sentences are also known by the title Ṣad kalima or Miʾat kalima and have been translated into Persian several times. This version does not name the translator. This copy was prepared by a well-known calligrapher from Shiraz, Ḥusayn al-Faḫḫār; it was completed in Rabīʿ II 952 h. [= June-July 1545]. The manuscript is from the bequest of the turkologist and scholar of Islamic studies Rudolf Tschudi (1884-1960).
Online Since: 06/13/2019
This Persian-Arabic manuscript, written in Herat by ʿAbdallāh al-Harawī and completed Middle of Šaʿbān 871 h. [= end of March 1467], contains genealogical information about the Prophet Muhammad and his descendants, as well as about people important to the subsequent history of the eastern part of the Islamic world and of Central Asia, among them the Khan of Moghulistan, Tughluq Timur († 1363). Sayyid Ǧalāladdīn Mazīd Bahādur is named as the person who commissioned the manuscript; he probably was part of the local upper class. Interspersed in the text are quotations from the Koran, prayers and poems; an appendix gives exact death dates for three people who passed away in the year 869 h. and who may have been part of the circle of the man who commissioned the manuscript. The decoration of the manuscript is incomplete, as can be seen from an only partially completed rosette (3r) and a missing family tree (26v). The manuscript was owned by Rudolf Tschudi (1884-1960).
Online Since: 12/14/2017
Collection of prayers in the form of litanies (awrād), attributed to a Šayḫ Wafāʾ. The manuscript must have been completed before 1746, because in this year it was consigned to a religious foundation by Bašīr Āġā, a dignitary of the Ottoman court. The author cannot be conclusively ascertained since there are several people known by the name Šayḫ Wafāʾ. This manuscript probably belongs in the context of Islamic mysticism (Sufism), which was firmly established as an institution in the Ottoman-Turkish society of the period. The manuscript comes from the collection of the Islamic scholar and turkologist Rudolf Tschudi (1884-1960).
Online Since: 12/14/2017
These twelve leaves are what have survived from a large-format gradual that was produced around 1460 in the Upper Rhine region (probably in Basel); they contain chants for the mass, changing according to the liturgical year. The decoration with initials and miniatures (e.g., the birth of Christ, the entry into Jerusalem, or the depiction of the resurrection) refer to the respective liturgical holiday, whereas the initial for Ecce advenit dominator dominus wrongly depicts the presentation of Jesus at the Temple. Its decoration places this gradual in the later circle of the so-called “Vullenhoe-group”.
Online Since: 06/14/2018
This composite manuscript of theological content originally belonged to the patrician family Gossembrot of Augsburg (late 15th century); via Johannes Oporin († 1568), Eusebius Merz († 1616) and Remigius Faesch († 1667), it finally became part of the university library of Basel in 1823. Except for a single remaining woodcut, various miniatures and woodcuts pasted into the manuscript have been torn out.
Online Since: 06/22/2017
This manuscript was copied in the 10th century at the monastic Lavra of Stylos on Mount Latmos in Caria by the scribe “Michael”. It contains Victor of Antioch's commentary on Mark as well as the catena of Andreas on the Catholic Epistles. There are two unfinished miniatures, one representing the Virgin enthroned with the Christ child (V3v), and the other with Christ in glory (V4r). During the Turks' invasion of Caria ca. 1079, Christodoulos of Patmos first transferred the codex to Constantinople, and then to the island of Patmos. During the Renaissance, the manuscript appeared in Worms with Johannes Camerarius, and then in Basel in the possession of Nicolaus Episcopius.
Online Since: 09/26/2024
This Old French Bible du XIIIème siècle was compiled in Paris in the second half of the 13th century. The two parts (Cod. 27/28), kept in the Bugerbibliothek of Bern, are among the oldest surviving copies; independent of one another, they probably originated in Southern France. Cod. 27 is partially glossed; at one time it contained 31 superb miniatures, of which today twenty have been lost.
Online Since: 10/07/2013
This Old French Bible du XIIIème siècle was compiled in Paris in the second half of the 13th century. The two parts (Cod. 27/28), kept in the Bugerbibliothek of Bern, are among the oldest surviving copies; independent of one another, they probably originated in Southern France. Cod. 28, whose traces of use point towards Valencia, at one time it contained 52 superb miniatures, of which today six have been lost.
Online Since: 10/07/2013
The manuscript was produced in multiple phases. The first two thirds, from the first decade of the fourteenth century, contain a fragment of the world chronicle ascribed to Baudouin d'Avesnes, and its illuminations can be attributed to a painter from the circle of Renaud de Bar in Metz. The last third, produced up to the middle of the fourteenth century, is composed of different devotional texts of a still poorly-studied corpus. Many of these texts can be found in other manuscripts that today can be found in Bern, Paris, and Metz, and can be ascribed to the later convent of the Celestines in Metz. This volume, which in 1570 was still in private hands, came to Bern in 1632 through Jacques Bongars.
Online Since: 09/26/2024
Composite manuscript consisting of three parts, bringing together French translations of classic reports of voyages to the Far East. The manuscript, especially its first and third parts, is richly adorned with gold decoration and delicate scroll ornamentation in the margins, yet it contains no illustrations. Hand-painted coats of arms make it possible to identify the family de Pons de Saint-Maurice from the Périgord as a previous owner; later the codex was purchased by Jacques Bongars, who, towards the end of his life, was preparing a volume of source materials about travels to Asia.
Online Since: 10/13/2016
This magnificent complete edition of the works of Virgil (Bucolics, Georgics, Aeneid) was given to the Benedictine Monastery of St. Martin in Tours by the Levite Berno (note and book curse on f. 1v). Virgil's text is interspersed with numerous commentaries (scholia) from late antiquity by Servius and Donatus, which have been transmitted in this form almost exclusively in manuscripts from the Bongarsiana collection. However, Cod. 165 does not present the true Scholia Bernensia as in Cod. 167 und Cod. 172, but rather a collection by various scholiasts which was compiled in Tours — hence the name Scholia Turonensia.
Online Since: 12/17/2015
The richly illustrated Prudentius manuscript, created around 900 in the region of Lake Constance, is counted among the outstanding examples of Carolingian book art. It contains all seven poems published by Prudentius in the year 405 as well as a later added eighth work. The codex was given to the episcopal church of Strasbourg by Bishop Erchenbald of Strasbourg (965-991) and later came into the possession of Jacques Bongars.
Online Since: 10/07/2013
This manuscript is famous primarily for its rich collection of Old French Fabliaux, a considerable number of which survive only in this manuscript; it also is considered among the most important textual witnesses for the fragment of the Sept sages de Rome and for Perceval. Because of its great importance to French poetry, it was lent to Paris at the beginning of the 19th century, was temporarily lost, and had to be re-bought by the municipal library of Bern at great expense in 1836.
Online Since: 10/08/2015
A manuscript consistiting of three production units. The first two were copied in Paris, probably around the end of the 15th century, by the famous professor of Greek, Georgius Hermonymus of Sparta (†1511-1516). They contain prayers and liturgical pieces, particularly from the Abbey of Saint Denis in France, including an as yet apparently unpublished translation of a Mass formula for Saints Dionysius, Rusticus and Elutherius into Greek. The last part, an addition to the others, is the work of a single hand, very similar in appearance to that of Hermonymous, perhaps that of one of his pupils.
Online Since: 11/04/2010
Composite manuscript consisting of four very different parts that probably came to Bern in 1632 as part of the property of Jacques Bongars; parts B and C are from the Collège de Navarre in Paris. All parts are at least partly illuminated. All fragments have related parts in other libraries: for part A, Paris BN lat. 7709, f. 1–4; for B, Paris BN lat. 17566, f. 1–40; for C, Paris BN lat. 17902, f. 1–85; and for D, Leiden UB, Voss. Q 2 IX (f. 60).
Online Since: 10/10/2019
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The second volume contains accounts of events from the years 1421 through 1466, based for the most part on Benedicht Tschachtlan's edition of Fründ's work. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The third, artistically richest volume contains Schilling's own description of the Burgundian wars, together with that of the preceding period, up to the year 1480. It is closely related to the Grosse Burgunderchronik (Great Burgundian Chronicle) currently held by the Zentralbibliothek Zürich. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Spiezer Chronik by chronicler Diebold Schilling, named after its longtime home city of Spiez, is also known, because it was privately commissioned by Rudolph von Erlach, as the Privater Schilling. It contains the early history of Bern from the founding of the city to events that took place in the mid-15th century. Unlike Schilling's three-volume official chronicle, the Amtliche Berner Chronik (Bern, Burgerbibliothek Mss.h.h.I.1-3), it remains incomplete (the Burgundian wars are not included).
Online Since: 12/20/2012
The Epistolary is the oldest manuscript in the library at Beromunster; according to local tradition it was presented by a member of the patron family of Lenzburg, Count Ulrich († before 1050). The front cover, added later, is an ivory panel dating from the second half of, perhaps the end of, the 13th century.
Online Since: 12/21/2009
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is the last of the illustrated Swiss chronicles of the late Middle Ages. It was written on private initiative between 1510 and 1535 and took as its primary models the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the second of the three volumes of the chronicle, consists primarily of an account of the Old Zurich War and is illustrated with 130 colored pen sketches. Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archive in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012
This small liturgical book was used in the Monastery of San Michele di Campagna near Verona during the 15th century. The work contains the rite of the profession of faith and of the consecration practiced on the occasion of the investiture of a Benedictine nun. It is valuable evidence of a ritual for women who take their vows.
Online Since: 06/22/2017
This martirologio-inventario (annal) was written in 1554 at the request of the vicini (the original members of the municipal corporate body) of Castro and Marolta in the Blenio Valley (Ticino) in order to replace an older one that was destroyed in a fire. It contains the list of obligations toward the parish and toward the community for bequests and anniversaries of deaths. The first page is decorated with an illuminated initial and has in its bottom margin a painting of the coat of arms of the canton of Uri. At the time, the Blenio Valley was governed ruled by the cantons of Uri, Schwyz and Nidwalden.
Online Since: 06/25/2015
This manuscript contains the poems La satyre megere, a poem about the reconciliation of King Louis XII with Emperor Maximilian I, Les quatres eages passees, followed by a Ballade and three Rondeaux, and at the end Le portail du temple, inspired by an incomplete treatise by Boccaccio. This artificial composite manuscript consists of three original manuscripts entitled "Satyre Megere, poème d'Antitus dédié à Aymon de Montfacon, evesque de Lausanne, l'an de grâce mille cinq cens". The author Antitus Faure was chaplain to the Dukes of Burgundy and Savoy and, beginning in 1499, to the Prince-Bishop Aymon de Montfaucon († 1517) of Lausanne, to whom he dedicated these three works. This illuminated manuscript was bought by the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
This Book of Hours following the liturgical custom of Paris contains a large number of private prayers in Latin and French, most of them unpublished. As indicated in the colophon on page 193r, the book was produced in 1421 in Paris in the workshop of the bookseller Jacquet Lescuier. It was commissioned, or perhaps only bought, by Jean II de Gingins, born around 1385 and died either at the end of 1461 or the beginning of 1462; he had his coat of arms painted on p. 193v. The miniatures were executed by several illuminators, among them the “Guise Master,” the “Bedford Master” and a student associated with the “Boucicaut Master.” The last representative of the Gingin-La Sarraz family left the castle to her brother-in-law, Henri de Mandrot, who in turn gave this manuscript and the family archive to the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
This Latin manuscript on astronomical topics includes works by Germanicus, Pliny the Elder and Hyginus. The codex features numerous pen and ink drawings, including a planisphere (rotatable star chart) consisting of five golden concentric circles containing constellations portrayed as people or animals. These drawings, dating from the 15th century, have been attributed to Antonio di Mario of the Neapolitan region.
Online Since: 07/31/2007
There is only a single medieval Italian translation of Augustine's De civitate Dei (City of God), an impressive apologetic work in twenty-two books; the translation was prepared at the end of the 14th or the beginning of the 15th century. It is usually attributed to the Florentine Dominican Jacopo Passavanti (ca. 1302 – 1357); however, this attribution is without basis. The frontispiece of this manuscript is richly decorated with foliage in all four margins and initials with vine scroll ornamentation at the beginning of each book.
Online Since: 12/17/2015
This Latin parchment manuscript from the 14th century contains a comprehensive commentary by jurists of Bologna on the "Corpus Iuris Civilis" as well as on others, such as the "Codex Justinianus" and the "Digests".
Online Since: 07/31/2007
In the middle of the 12th century the Latin works of Statius and Virgil as well as adaptations of Homer were translated into the vernacular. At the same time these Latin texts were being brought into the “romance” language (French), the first examples of the French poetic form called the “Roman” or Romance were being written. CB 18, a parchment manuscript, contains two such works, the Roman de Troie by Benoît de Sainte-Maure and the anonymously authored Roman de Thèbes.
Online Since: 03/25/2009
This manuscript, produced in 1480 at the Cistercian Abbey of Maulbronn (Diocese of Speyer, Württemberg, cf. f. 44r), contains texts written by Ekbert of Schönau, the brother of St. Elizabeth of Schönau, as well as prayers to Mary written in another hand.
Online Since: 03/25/2009
A remarkable manuscript from the end of the 10th century, undoubtedly produced in either Constantinople or Smyrna, CB 25 presents all four Gospels together in Greek. The biblical text is accompanied by commentaries by Peter of Laodiceia (an exegetical chain) written in cursive. The volume is decorated with two valuable full-page miniatures representing Luke and Mark against gold backgrounds.
Online Since: 12/21/2009
Copied in the 13th century, probably in the north of France, this Latin Bible unifies in one volume the books of the Old- and New Testaments, most of them preceded by prologues. It transmits the standard Vulgate text, called the Paris version, with the chapter divisions attributed to Stephen Langton, and its last thirty pages provide a glossary of Hebrew names. Historiated initials open the various biblical books and give the volume its structure. A smaller script than usual in this volume has been used on fol. 1 for the Commentary on the Tree of Consanguinity, a text usually transmitted in juridical works, augmented here by an illustration of such a tree.
Online Since: 12/21/2009
This codex from southern Germany is composed of two parts bound together in one German binding in 1569. The first part of the manuscript contains about a hundred leaves from the 12th and 13th centuries. It begins with a calendar featuring numerous constellations and full page illustrations. Following are prayers and liturgical songs. The second part consists of thirty leaves containing a series of Latin prayers in carefully wrought late 14th century Gothic script.
Online Since: 12/20/2007
This Armenian manuscript was written in 1606 at the church of Saint Nikoghayos in Istanbul. It contains the Four Gospels, the Apocalypse of Saint John, and a Gospelindex devised for liturgical use written by another scribe in the same century. The silver binding was probably made a century after the manuscript writing. Special attention should be drawn to the illuminations of the canon tables painted according to the text of the “Commentary of the Canon Tables” of Stepanos Syunetsi (8th century), where the author thoroughly expounds the animal, floral and geometrical motives, as well as the symbolism of numbers and colors of each of the canon tables. The painter has interpreted the symbols and motives used in all ten canon tables by placing the explanations below each of them.
Online Since: 03/19/2015
The Elegia di madonna Fiammetta, dedicated to "women in love", describes in the first person the feelings of the young Neapolitan Fiammetta, who has been left by her beloved Panfilo. The Elegia, a prose work written by Boccaccio in his youth, praised for the subtlety of its psychological approach, mixes autobiographical elements and obvious references to Latin literature. It is preserved here in a manuscript copied in 1467 by Giovanni Cardello da Imola, whose regular calligraphy is set off by decorations in bianchi girari (white vine-stem).
Online Since: 12/21/2009
This parchment manuscript from the end of the 15th century contains the "Chronicle of London" as well as a version of the paraphrase text of the "Metrical Chronicle" by Robert of Gloucester found only in this manuscript, CB 43. The dialect used in the text indicates that the manuscript was written by a scribe from the southern Midlands.
Online Since: 03/25/2009
This copy of Cesar's "Commentarii" from about 1480 attests to the great popularity this text attained during the early Renaissance (there are more than 240 surviving manuscripts of the "Commentarii" from the 15th century). This manuscript was produced in the atelier of the illuminator Cola Rapicano in Naples. The "bianchi girari" (white vine) book decoration and the illuminated initial capitals which mark the beginning of each book are of a type often found in codices containing humanistic works. The illuminated initial capital on fol. 1r, on the other hand, portrays the Roman ruler in an unusual way, as an armored horseman.
Online Since: 03/25/2009
This elegant codex, written in humanistic script, was commissioned by Pope Leo X († 1521). The Medici coat of arms can be found in the middle of the original binding's cover, in a rich frieze on the frontispiece, and in the initials on f. 3v and f. 134v. The decoration is attributed to the famous Florentine illuminator Attavante degli Attavanti († 1525) or his circle. This codex is from the collection of Major J.R. Abbey.
Online Since: 03/22/2017
The Carmina by Catullus contained in this codex was written in a humanistic cursive, attributed to the calligrapher Ludovico Regio di Imola. The frontispiece in grisaille with gold highlights is framed by motifs in the manner of antiquity with trophies, sphinxes and mascarons, while the title in gold letters stands out from the crimson background. At the bottom of the page, the coat of arms on a disc held by two putti is overlaid in the same crimson color.
Online Since: 12/13/2013
This manuscript, commissioned by the bibliophile Antoine of Bourgogne in 1460, contains the Epître d'Othea by Christine de Pisan, decorated with about a hundred masterful miniatures (a complete pictorial cycle). One of these contains the dedication of the work and shows four figures, identifiable as Philip the Good, Charles the Brave, and two of Philip's illegitimate sons, David and Anthony of Burgundy.
Online Since: 07/25/2006
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
This manuscript contains Cicero's speeches, which were copied out in a humanistic script of the 15th century. The book decoration consists of initials with „bianchi girari“ (white vine-stem) on colored background which introduce the various texts, and a frontispiece, the decoration of which extends across the entire page f. 1r. At the center of the bottom margin, surrounded by a laurel wreath, the coat of arms of the Medici family of Florence stands out, covering an even older coat of arms. The manuscript belonged to Cardinal Giovanni Salviati (1490-1553) from Florence and then to the Venetian monk and later manuscript dealer Luigi Celotti (1768-1848).
Online Since: 12/13/2013
This French translation of the story of Alexander, destined to belong to Charles the Bold, was commissioned by Vasco da Lucena, "the Portugese", a retainer of the Infanta Isabella, who was married to Philip the Good. This revival of the work by Quintus Curtius Rufus, which is augmented by texts from Plutarch, Valerius Maximus, Aulus Gellius and Justin, allows the author to liberate the Macedonian conqueror from legends perpetuated by the medieval tradition. The Miroir des princes portrays a model of a hero shaped within the framework of the humanistic movement initiated by the dukes of Burgundy in the late middle ages. CB 53 was copied in Burgundy and may be fairly accurately dated only a few years after the translation was made; it was decorated with miniatures in the artistic circle of the Master of Marguerite of York (ca. 1470-1475).
Online Since: 12/21/2009
Copied in 1378 by Francesco di maestro Tura of Cesena, who included both a date and a signature at the end of the volume, the Codex Severoli opens each of the three sections of the Commedia with an historiated initial. A number of interlinear glosses explicate the verses of the Paradiso.
Online Since: 12/21/2009
The Sachenspiegel by Eike von Repgow is one of the oldest books of law in the German language. This parchment manuscript, CB 61, was produced at the beginning of the 15th century and contains codes of common and feudal law.
Online Since: 07/31/2007
This 14th century parchment manuscript preserves the "Historia destructionis Troiae" by Guido de Columnis for posterity. Its 187 miniatures crafted by Giustino da Forlì portray the most important scenes of the Trojan War against a background of the Gothic architecture of Venice. The margins of the manuscript reveal written traces of the collaborative efforts of the copyist and the illuminator: the scribe made notes in Venetian dialect indicating the plan for incorporating a series of miniature illustrations, which were then duly added by the illuminator.
Online Since: 07/31/2007
Guillaume de Loris and Jean de Meung (Meun) are the authors of the Roman de la Rose, one of the masterpieces of medieval courtly literature. In a phantasmagoric and allegorical setting, the lover seeks entry to a locked garden which conceals a rose, the image of his beloved. The second part, written by Jean de Meung, provides a philosophical and moral lesson. This manuscript, written on parchment in the 14th century, contains many golden and gold-accented illustrations and borders as well as initials with blue and red extensions.
Online Since: 06/02/2010
This Hebrew manuscript from the 15th century combines liturgical texts and contains commentaries on the rites that provide the framework for the observation of the Passover. This Pesach Haggadah, adorned with miniatures and rich illustrations, contains the complete liturgical version of the Exodus story. The first part of the manuscript contains the text of the Italian rite, the second part that of the Ashkenazi. The manuscript was written and illuminated by Joël ben Siméon, who signed his work with a colophon (f. 34r): I am Joel ben Simeon, called Veibusch Ashkenazi – blessed be his memory – and I am from Cologne, which is on the banks of the Rhine.
Online Since: 04/23/2013
The Ilias Latina, copied on paper during the 14th century, is a Latin adaptation of the great epic by Homer, one of the foundational texts of ancient Greece. It was written in Gothic quasi-cursive script by a single scribe in the region of Naples in Italy. One should take note of some of the decorated initials, some of which incorporate figures, especially that of a muse, clad in a dress covered with stars and holding a sword in her hand.
Online Since: 06/02/2010
This parchment manuscript from the time around 1400 contains a work by the Dominican sermonist Jacques de Cessoles, using the game of chess as the allegorical basis for a lesson in morals. The same theme is carried out in 16 accompanying illustrations as well.
Online Since: 12/20/2007
This generously illuminated manuscript in two volumes was made at the beginning of the 15th century and contains Guiron le Courtois, a romance about the fathers of the knights of the round table written around the year 1235. The various tales are presented here in an order unique to the to the CB 96 manuscript.
Online Since: 03/25/2009
This generously illuminated manuscript in two volumes was made at the beginning of the 15th century and contains Guiron le Courtois, a romance about the fathers of the knights of the round table written around the year 1235. The various tales are presented here in an order unique to the CB 96 manuscript.
Online Since: 03/25/2009
This manuscript contains works by Lactantius, written in an Italian humanistic script in the second half of the 15th century. The book decoration consists of numerous initials with bianchi girari (white vine scroll), with side borders and with a frontispiece decorated along three sides with bianchi girari and with naturalistic elements: birds, butterflies and a donkey. In the bottom margin, two putti hold a laurel wreath surrounding the coat of arms of the person who commissioned the work, a member of the Aragonese royal family of Naples, probably Ferdinand I, King of Naples (1458-1494). An old signature confirms that the manuscript is from the library of the Aragonese Kings of Naples.
Online Since: 04/23/2013
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007