This Gradual was produced in 1071 by the archpresbyter of the Church of Santa Cecilia in Trastevere; it contains the musical scores for assorted liturgical songs. These melodies set down in written form make CB 74 the oldest record of Roman song. (fmb)

The fragments assembled in this collection were removed from their previous volumes by P. Gall Morel in 1858 and bound together into this volume in 1860. They consist of fragments from sequences (two volumes), hymn melodies (such as those still sung to this day in Einsiedeln), three Gloria melodies (the third of which is attributed to Pope Leo IX), three liturgical plays as well as the Novem modi by Hermannus. This manuscript is important to music history, as it is the first instance in Einsiedeln where the neumes are set upon four (incised) staff lines; the form used here represents the Alemannic choral dialect. (lan)

This book of hours belonged to Johannes Huber (†1500), chaplain at the Grossmünster in Zurich. It contains parts of prayers related to the Liturgy of the Hours for the daily routine of clerics. (szu)

A total of eight manuscripts, written and illuminated in St. Gall in the period between 1022 and 1036 for Sigebert, Bishop of Minden (1022-1036), have survived until today. They are a complete group of liturgical manuscripts consisting of a sacramentary, an epistolary, an evangeliary, a gradual, a tropary-sequentiary, a gradual-hymnal, a hymnal and the Ordo missae. This tropary-sequentiary contains a drawing of the author Notker Balbulus (about 840-912) in the sequentiary part on f. 144r. He is depicted as the writer of his sequence Sancti Spiritus Assit nobis gratia and is represented with a saint's halo. In 1683 the manuscript became part of the library of Frederick William, Elector of Brandenburg, and later of the Berlin State Library (Staatsbibliothek). Along with other manuscripts (among others the Epistolary), it was evacuated to safety during World War II and today is held as a deposit in Krakow. (flu)

Sequentiary containing sequences without neumes by Notker Balbulus (pp. 1-14), a calendar (pp. 15-20) and a sacramentary (p. 21-182), beginning on p. 21 with a beautiful initial ‘M' (a vine scroll contoured in red on a blue and green background) and from p. 22 the Canon of the Mass with a Te igitur-initial with the Crucifixion. (dor)

Deluxe manuscript for the celebration of the Mass in the monastery of St. Gall, dating from 1050/70, containing sequences of the St. St. Gall monk "Notker the Stammerer" (died 912). (smu)

Musical manuscript in small format from the monastery of St. Gall containing a calendar, a computus, a tropary, a sequentiary, an antiphonary, offertory and tractus from the middle of the 11th century as well as an appendix with sequences from the 13th century. (smu)

This codex, with boards covered in green textile, consists of two parts. The first part (pp. 3-53) contains sequences by Notker Balbulus and other authors, the second part (pp. 55-226) contains a gradual. All of the texts have neumes; the script is interspersed with red and blue majuscules. Of note is a series of decorated initials, for example one containing a dragon on p. 3 of the sequentiary and one with scroll ornamentation on p. 55 of the gradual. Other examples can be found on pp. 114, 134, 144, 146. Bound in at the beginning is an 11th/12th century leaf containing excerpts from the Commune Sanctorum, with 14th century supplements on the back. (nie)

Small music manuscript from the middle of the 11th century containing an (incomplete) calendar, computus, tropary and sequentiary in an elegant hand, with delicate neumes. (smu)

Versiculary, Hymnal, Tropary and Sequentiary from the monastery of St. Gall, written and provided with neumes around 930, possibly by a monk named Salomon. The small-sized, undecorated manuscript contains the St. Gall repertoire of the chants sung in the monastery and works by the monks Notker Balbulus, Tuotilo, Ratpert, Waltram and Ekkehart I. Counts among the foremost monuments worldwide in the history of early medieval music. (smu)

An incompletely preserved musical manuscript from the 11th century, written in the monastery of St. Gall, with added supplementary leaves up to around 1400. Contains a Tropary, a Versiculary and a Sequentiary. (smu)

Tropary and Sequentiary in point-like square notation with exceptionally fine monophonic and polyphonic music from the great repertoire of the school of Notre-Dame at Paris. Written before 1250 in Western Switzerland, probably at the Cathedral of Lausanne. Probably in St. Gall by 1300. (smu)

The manuscript contains the antiphons, invitatories, and responsories for certain offices of saints, and then the Alleluia verses and sequences for the feast-days of some saints. The majority of the chants are provided with adiastemmatic neumes. A note on p. 112, written before the turn of the 15th century, has neumatic notation on staves. As the leather covering on the spine and the back cover is entirely missing, the Gothic cover joint is very visible from the outside. According to the ownership note on p. 3, in the eighteenth century the manuscript was in the Abbey of St. Johann in Toggenburg. (len)

Great collection of St. Gallen tropes and sequences by Father Joachim Cuontz († 1515), compiled for Abbot Franz Gaisberg (1504-1529) shortly before the beatification of the St Gall monk Notker Balbulus († 912) in the year of 1513. Important document of late medieval choral history. Many of the melodies are, for the first time in St. Gall, provided with musical notation on five staves. (smu)

This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral). (sno)