This work, written in German, contains the life of Thomas Aquinas written by William of Tocco (1240-1323). On f. 106v, there is also a note on the writer and on the possible patroness of the work: Dis buoch hat ze tùtsche bracht gemachet vnd geschriben pfaff Eberhard von Rapreswil kilcherr zu Jonen (addition anno 1418 by a 16th or 17th century hand). Dem sol Got vnsri frow sant Thoman der heilig lerer vnd die erwirdig frow die Stoeklerin ze Toess wol lonen. According to this entry, the 15th century hand goes back to Eberhard von Rapperswil, who was pastor in Jona in the canton of St. Gallen. The woman who commissioned the work is considered to be the nun Stöklerin from Töss (probably Elsbeth Stükler). This makes the work one of the few German translations of the life of Thomas Aquinas. Individual initials are not only highlighted in red, but are also decorated. The manuscript has a raspberry-red leather binding with clasps, which was restored in the 20th century. The detached pastedowns in the front and back are from a 13th century manuscript with neumes (probably a Kyriale). The manuscript contains two ownership notes: Dijs buoch ist erhart blarer von Wartensee zuo Kemten, guothsher zuo kemtem vnd zuo Werdeg (f. 106v) and Monasterij apud D.[ivam] Yddam in Visch.[ingen] (f. 1r). Accordingly, the manuscript belonged to Prince Abbot Johann Erhard Blarer von Wartensee in Kempten, who is documented to have been active from 1587 to 1594; subsequently the manuscript became the property of Fischingen Abbey. (glo)

Praeparatio ad missam (p. 2-63) and Benedictiones (p. 66-177), written by a single hand. This undecorated liturgical manuscript contains scarcely any corrections or later additions and shows slight signs of usage. (dor)

This large-format manuscript, which forms a unit with Cod. Sang. 1758, itself consists of two parts. The first part (p. 1-214) from 1473 (dating in the initial on p. 1) was completed in the 16th/17th century. Both parts, however, are not complete; furthermore, multiple pieces have been deleted and replaced with other pieces. The volume contains chants for the Mass – Proprium de sanctis, Commune sanctorum, Ordinarium missae (partially troped), Sequences and Tractus – in German plainsong notation ("Hufnagelnotation") in a five line-system. Together with Cod. Sang. 1758, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of borders and initials, sometimes with figurative representations. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral). (sno)

This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral). (sno)