This volume contains a large number of texts about theology and canon law. All of it was written by one scribe, the Carthusian Heinrich von Vullenhoe of Basel. In a long note he provides information about the motives that guided him during the compilation: Since as a Carthusian he could not himself act as a preacher, he only had the possibility to spread the Word of God with his hands, i.e. by writing books. He expresses the hope that this compilation he has organized may strengthen the pious on their path and may offer an occasion for remorse for the sinners. Many of the texts that Vullenhoe has combined in this volume refer directly to the Carthusian Order. One example is the treatise de esu carnium, which defends the Carthusian practice of renouncing meat as a foodstuff. Many texts have also been handed down in other manuscripts from the Carthusian Monastery of Basel. (fis)

Online Since: 12/12/2019

This composite manuscript was produced between 1460 and 1470 in the region of Lake Constance. Perhaps it was held for some time by the Ittingen Charterhouse near Frauenfeld. It contains late medieval sacred and profane texts, which were published for the first time in part based on this manuscript, such as Die fünf Herzeleid Mariä, the Frauenfelder Passionsgedicht and a prose recension of Wolfram's Willehalm, as well as an excerpt from the Büchlein der ewigen Weisheit by Henry Suso. (lug)

Online Since: 04/23/2013

This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo). (sno)

Online Since: 10/04/2011