A book of hours following the liturgical custom of Rome, with a calendar for the use in Poitiers. All main miniatures are by the Master of Poitiers 30, whose name is derived from two of the miniatures he created in a missal for use in Poitiers, which is kept in the local city library. Earlier he was known by the name Master of Adelaide of Savoy, for whom he created the book of hours Ms. 76 in the Condé Museum in Chantilly. He belonged to the circle of the Master of Jouvenel des Ursins, but was most active in Poitiers, where he influenced later local book illumination.
Online Since: 12/20/2012
A latin book of hours with calendar, containing a selection of saints for Paris as well as several French prayers. At the end of the book, there are tables for the changing holidays beginning with the year 1640; thus it can be assumed that the manuscript was completet around this time. The majority of the miniatures are by the Master of Coëtivy, who presumably also created all compositions and thus also the preliminary drawings. The hand of a second illuminator, who can be identified as the Master of Dreux Budé, is found in the faces of Mary in the image of the birth of Jesus (f. 83v), the Adoration of the Magi (f. 92v) and the Coronation of the Virgin (f. 107r).
Online Since: 12/20/2012
The manuscript contains a psalter for use in Evreux, episcopal city and preferred residence of the kings of Navarre.This is a liturgical book which contains the calendar, the litany and the Office of the Dead, that is, the most important texts of a book of hours. The illumination is the work of an artist who was active in Paris around 1400 and who depicts elegant figures in a picturesque landscape, still on a gold background, while his color palette is already that of the 15th century. This hand is to be attributed to the workshop of the Parisian Josephus-Master. At least two miniatures – the jester miniature (f. 44r) and the miniature of the Office of the Dead (f. 131r) – are attributed to the pseudo-Jacquemart.
Online Since: 12/20/2012
This book of hours, addressed to a woman, contains an entry that can only be read in ultraviolet light (f. 27v) and that mentions a Jaquette de la Barre; she probably was part of the Parisian family of organ builders who, between 1401 and 1404, built the organ of Notre-Dame. The miniatures were created around 1410 by a leading Parisian master, who can be identified as the Master of the Mazarin. Subsequently, borders were added to the manuscript, probably by a Provençal hand. Several scenes stand out from the conventional iconographic program: instead of the penance of David, there is the glory of Christ on Judgment Day (f. 101r); instead of the Mass for the dead, there is the Raising of Lazarus (f. 141r); also unusual is the depiction of the prayer of St. Jerome (f. 139v) in the full vestments of a cardinal.
Online Since: 12/20/2012
Various artists contributed to the illumination of this book of hours. Some simple miniatures are the work of an artist who trained in the circle of the Master of John the Fearless. Many faces of Mary were created by the Master of Marguerite of Orléans, an important book illuminator around 1430. In the 15th century, the manuscript belonged to Guillaume Prevost, as attested by the baptismal entries written in the “Livre de raison” (f. 186v).
Online Since: 12/20/2012
In addition to the unusual book for King Charles VIII described in Utopia Cod. 111, there is another book of hours that was painted by the same artist. Its border decoration remained incomplete, and all the large images follow not the usual canon of images for books of hours, but instead depict unconventional motifs. What strikes the eye in both manuscripts is the motif of the family tree of Adam, which creates an optical link between the volumes and which is not found in other of the book decorator's manuscripts. The almost identical mass of foliage also suggests that the two volumes could belong together, produced for the king at a certain time interval from one another. The premature and unexpected death of Charles VIII after his accident at the Château d'Amboise may explain why the second manuscript was never completed.
Online Since: 10/13/2016
This book of hours was a present from the Parisian publisher Anthoine Vérard to the French King Charles VIII (1470-1498). The monarch was one of the most important figures for the French book trade from 1480 on. His collecting is inextricably linked with the luxurious printed materials of the bookseller and publisher Anthoine Vérard. Especially remarkable are the borders: the margins of all pages are decorated with a pictorial narrative of eight consecutive images showing events from the Old and New Testament. Also noteworthy is the didactic value of this book of hours, since each pair of images has a commentary of several explanatory verses in Middle French. Stylistically this book is closely related to Cod. 110, which was probably also created for the king and was by the same artist.
Online Since: 10/13/2016
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of Bern's Collegiate Church of St. Vincent, founded in 1484/85. The manuscript contains the entire winter portion of the Temporale, of the Sanctorale and of the Commune Sanctorum according to the liturgy of the Diocese of Lausanne. This volume is the duplicate of volume I, today held in the Catholic parish Saint-Laurent in Estavayer-le-Lac. Originally the volume was decorated with eight initials, of which only two remain (p. 71 and p. 429); they are attributed to the illuminator and copyist Konrad Blochinger, who also added corrections and annotations of the text to the other volumes of this group. After the introduction of the Reformation in the year 1528 and the subsequent secularization of the chapter, the entire group of antiphonaries was sold: four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two — including this manuscript — reached Vevey under circumstances that remain unexplained. They are currently held in the historical museum there.
Online Since: 06/25/2015
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of Bern's Collegiate Church of St. Vincent, founded in 1484/85. It contains the Proprium de sanctis and the Commune Sanctorum of the summer portion (March 25 to November 25) according to the liturgy of the Diocese of Lausanne. This volume is the duplicate of volume II, today held in the Catholic parish Saint-Laurent in Estavayer-le-Lac. The three miniatures (p. 207, p. 271 and p. 397) that still adorn this volume are attributed to an itinerant artist who was active in Switzerland — in Fribourg, Bern, and Sion —, and afterwards in Piedmont and in the Aosta Valley. He is known by the names Master of the Breviary of Jost von Silenen and Miniaturist of Georges de Challant. After the introduction of the Reformation in the year 1528 and the subsequent secularization of the chapter, the entire group of antiphonaries was sold: four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two — including this manuscript — reached Vevey under circumstances that remain unexplained. They are currently held in the historical museum there.
Online Since: 12/20/2016
Collection of recipes for preparing medicines. The form in which the recipes are presented ranges from a list of ingredients to more or less detailed texts including information about the preparation as well as the use of the medication. In the index, the recipes are divided into 10 chapters according to dosage form (pp. 456-479). At the end of each chapter there are several pages that have been left blank for additional recipes. The manuscript, which was created in 1739, is from the pharmacy of the former Capuchin Convent of Wattwil. It contains numerous 18th century additions in various hands. Since the dissolution of the Capuchin Convent St. Mary of the Angels of Wattwil in 2010, the manuscript, as part of the convent pharmacy, belongs to the Foundation Kloster Maria der Engel Wattwil.
Online Since: 06/13/2019
Collection of recipes for preparing medicines. The form in which the recipes are presented ranges from a list of ingredients to more or less detailed texts including information about the preparation as well as the use of the medication. There is no index. The manuscript, which was written in 1755, is from the chapter of the noble secular canonesses of Schänis (fol. Br). Several recipes are later additions. The numerous blank pages indicate that it had been planned from the beginning to leave room for additional recipes. It is not known when the manuscript became part of the pharmacy of the former Capuchin Convent of Wattwil. Since the dissolution of the Capuchin Convent St. Mary of the Angels of Wattwil in 2010, the manuscript, as part of the convent pharmacy, belongs to the Foundation Kloster Maria der Engel Wattwil.
Online Since: 06/13/2019
Collection of recipes for preparing medicines. The form in which the recipes are presented ranges from a simple list of ingredients to more detailed texts including information about the preparation as well as the use of the medication. There is an index (pp. 262-264). The manuscript is from the pharmacy of the former Capuchin Convent of Wattwil; in 1881 it was “improved and written” (“verbessert und geschrieben”) based on an older original (p. E). The book contains a few additions up to the 20th century. Since the dissolution of the Capuchin Convent St. Mary of the Angels of Wattwil in 2010, the manuscript, as part of the convent pharmacy, belongs to the Foundation Kloster Maria der Engel Wattwil.
Online Since: 10/10/2019
This herbal contains descriptions of medicinal herbs in alphabetical order along with the medicinal effects attributed to them. An index (p. 94) is appended to the recipes, but it ends already at number 5 “anise”. This manuscript is from the pharmacy of the former Capuchin Convent of Wattwil and was written in the first half of the 20th century. Since the dissolution of the Capuchin Convent St. Mary of the Angels of Wattwil in 2010, the manuscript, as part of the convent pharmacy, belongs to the Foundation Kloster Maria der Engel Wattwil.
Online Since: 10/10/2019
This manuscript contains the Psalms, ordered according to the arrangement of the liturgy of the hours, in Latin and each followed by the German translation. It was copied by two woman scribes, nuns in the Dominican Convent of St. Katharina in St. Gall. One hand is probably that of Angela Varnbühler. The binding consists of simple wooden tablets, covered in leather without any ornamentation, which is typical for the first phase of the St. Katharina scriptorium; it constitutes an additional element to attest to the origin of the manuscript.
Online Since: 04/23/2013
This small volume contains various prayers in Latin, some of which are preceded by rubrics in German. All in one hand, without note of ownership; the limp vellum binding probably is original.
Online Since: 10/04/2018
This small volume consists of two parts, containing prayers and meditations on various topics, to be read in 30 days. One part (ff. 1r-45r) – today at the beginning of the manuscript, but originally probably at the end – was written by Maria Ferrin, as can be read on f. 45r. The current second part was copied by two hands from the second half of the 15th century – beginning of the 16th century. A parchment fragment from a lectionary was used for the limp vellum binding.
Online Since: 10/04/2018
After the city council of St. Gall ended the enclosure of the convent of Dominican sisters at St. Katharina on May 2, 1528 and the convent gradually broke up, only Regula Keller and two sisters remained in its buildings, where they continued to work throughout 1543, copying the Augustinian Rule and Constitutions. The reading of the Rule and the Constitutions was more strongly emphasized in the reformed cloisters, in keeping with the character of their religious observance.
Online Since: 07/31/2009
This work presents a guide to the Christian life in 24 speeches, each following a particular theme, put together using brief selections from more than 100 authors. In the late Middle Ages this was a favorite text for reading aloud at meals, especially the long and detailed life of Mary attributed to the “12th elder“, which combines the story of Christ's Passion with an account of the fate of Mary.
Online Since: 07/31/2009
This manuscript contains a previously unknown copy of the German translation of De reparatione hominis, the principal work of the Franciscan Marquard of Lindau. In addition, it transmits several of the „Engelberger Predigten,“ thus completing the collection contained in Cod. Sang. 1919. It bears mentioning that both of these manuscripts are based on an earlier model, to which also the manuscripts Cod. Sang. 1004 and Wil M 47, which were created 50 years earlier, owe their (complementary) selection of „Engelberger Predigten“.
Online Since: 10/07/2013
This manuscript, written by the Benedictine Friedrich Kölner and meant for the Hermitage of St. George, contains, among others: a translation of the letters of Jan van Schoonhoven, which survive only in this manuscript; a sermon by Tauler (Vetter no. 70); and excerpts from Chapter 49 of the Vita by Henry Suso. In addition, it transmits several of the “Engelberger Predigten“, thus completing the collection contained in Cod. Sang. 1004. It bears mentioning that both of these manuscripts are based on an earlier model, to which also the manuscripts Cod. Sang. 1919 and Wil M 42, which were created 50 years later, owe their (complementary) selection of “Engelberger Predigten“. In the fold of the twelfth quire (set of sheets), there can be found remnants of a two-columned, rubricated German parchment manuscript from the first half/middle of the 13th century.
Online Since: 10/07/2013