Basel, Universitätsbibliothek
This small-format manuscript from the Carthusian Monastery of Basel contains prayers to and about the saints and martyrs Margaret of Antioch, Barbara of Nicomedia and Catherine of Alexandria. The Meditationes were composed by the Carthusian Henricus Arnoldi of Basel; the small-format manuscript was written by his fellow monk Johannes Gipsmüller.
Online Since: 06/14/2018
The first part of this composite manuscript from the Carthusian Monastery of Basel contains Aristotle’s writing on the soul, De anima, in William of Moerbeke’s translation, copied in Paris in 1459 by the scholar Johannes Heynlin. The main text, decorated with artistic initials with gold leaf as well as fleuronné initials, is closely surrounded by commentary in marginal and interlinear glosses, written in a small, compact semi-Gothic script. Bound into this volume as the second part is Aristotle’s De animalibus, printed in Venice in 1476; this text’s uncharacteristic lack of decoration at least raises the question of whether it was also part of Heynlin’s library.
Online Since: 06/25/2015
This legal manuscript was owned by the Basel jurist Arnold Zum Luft (1453-1517). The manuscript was produced in Bologna in the second half of the 13th century and contains the Digestum vetus, the first part of the tradition regarding existing laws, dating from late antiquity, together with the explanatory glosses compiled by Franciscus Accursius. In addition to Arabic and Roman numerals, the manuscript also presents a vigesimal numeral system.
Online Since: 09/26/2017
Like C I 1, this 14th century legal manuscript was produced in Bologna and was owned by Arnold Zum Luft (1453-1517). It contains the Digestum novum with Accursius’ glosses, i.e., the fourth and last part of the corpus of the Digest of ancient Roman legal literature. The manuscript is richly decorated with title miniatures and figure initials.
Online Since: 09/26/2017
This manuscript, written by several Northern Italian hands, contains the Lectura super codicem by the legal scholar Guilelmus de Cugno or Cuneo, who gave lectures in Toulouse in 1316-1317. The original must have been divided into quires, at least there are annotations in the manuscript that are similar to those of the pecia system. In 1383, this volume was owned by a converted Jew in Trier; later it became part of the library of the Carthusian Monastery of Basel.
Online Since: 06/14/2018
This 14th century parchment manuscript contains the commentaries of the legal expert and canonist Johannes Andreae (around 1270-1348) on the Liber Sextus Decretalium Bonifacii, the third part of the Corpus iuris canonici. The volume came into the possession of the Carthusian monastery of Basel during the Council (1431-1449).
Online Since: 09/26/2017
Canonistic manuscript with Dominicus de Sancto Geminiano’s Lectura super librum sextum Decretalium. This volume was written in 1439 by Johannes Berwenstein for Peter Zum Luft, who was teaching at the university of the Council of Basel and who later left his extensive book collection to his nephew Arnold Zum Luft.
Online Since: 09/26/2017
This manuscript from the second quarter of the 15th century contains the Lectura super Clementinas by Johannes de Imola; it is from the extensive library of the Basel jurist Arnold Zum Luft (1453-1517). This volume, originally a catenatus, contains initials by the same hand as in C I 21.
Online Since: 09/26/2017
For efficiency, writings of law and canon law were often copied using the pecia system, where a model was divided into quires and distributed to several copyists. In the same manner, this commentary on the decretals by ”Abbas antiquus“, only later identified as Bernardus de Montemirato, was created in three pieces. The sparingly decorated manuscript is written in a littera bononiensis and was owned by the library of the Carthusian monastery of Basel.
Online Since: 12/14/2017
From 1470 until 1475, Jakob Lauber, later the head of the Carthusian Monastery of Basel and its richly endowed library, attended lectures by the famous decretist Peter Andlau at the newly founded University of Basel; this is attested by his lecture notes on the Conclusiones Clementinarum and the Liber sextus of Boniface VIII from the year 1471.
Online Since: 03/19/2015
This manuscript, a composite manuscript of legal content, has as its main text the Summa super rubricis decretalium by the Italian legal scholar Godefridus de Trano (deceased 1245). This is a textbook on the Compilation of Decretals commissioned by Pope Gregory IX, which was widely distributed. The text is decorated with five small figure initials, probably of French origin.
Online Since: 03/22/2018
Not without entering into competition with the curial judiciary authority did the Council of Basel (1431-1449) demand conciliar judicial authority patterned on the Roman Rota. The tried cases were recorded by notaries of the Rota, as in this manuscript written by Johannes Wydenroyd in the period between 15 March 1435 and 13 June 1439. This manuscript is the middle volume of three remaining Rota manuals from the Council of Basel.
Online Since: 06/25/2015
This incomplete liturgical psalter was made between 1335 and 1350 in Naples. The unusual decorations are the work of the artist Christoforo Orimina. Because the manuscript contains three different coats of arms, the original owner (a member of the Angevin court in Naples) can not be definitively named. After changing hands many times during the 19th and 20th centuries, the manuscript was acquired in 1968 by the owner of the collection "Comites Latentes" ("Hidden Friends") held by the Bibliothèque de Genève.
Online Since: 12/09/2008
This elegant pocket-size book of hours was illuminated in Tours around 1480 by the Maître des camaïeux d’or Le Bigot, who was active in the circle of the painter Jean Bourdichon. The sixteen tiny historiated initials in camaïeu d’or that are contained in the manuscript succeed the usual repertoire with an original cycle dedicated to the seven days of Creation. The artist demonstrates his exceptional technical mastery by lending the body of the initials an especially attractive evanescent character. The subtle arrangement of the surrounding letters should invite the anonymous patron to appreciate the meticulous combination of gold and colors in detail.
Online Since: 12/14/2018
This precious book of hours was made in Florence around 1470-1480. Its rich and elegant illumination is due to the close circle of the most famous florentine miniaturist of his time, Francesco d’Antonio del Chierico. The same hand is responsible for the major illuminations at the beginning of the various sections as well the initials in the text. The flourished initials are of great elegance. A partly erased coat of arms on the opening leaf indicates that the book of hours was made for the wedding of a male member of the Serristori family. The manuscript entered in the collection of the present owner in 1970 and it was deposited at the Bibliothèque de Genève as part of Comites Latentes.
Online Since: 06/23/2014
This handwritten Haggadah Comites Latentes 69 was created in Vienna in 1756. It is decorated with black ink and masterfully imitates copper engraving. The author is the famous scribe and illustrator Simmel ben Moses from Polna (active between 1714 and 1756), who produced about thirty dated manuscripts that have survived until today, of which, however, only 17, including CL 69, are autographs. His works of art are among the most remarkable examples of Hebrew manuscript decoration in 18th century Central Europe. The Song of Solomon, copied by later hands, concludes this magnificent manuscript.
Online Since: 06/22/2017
This manuscript is a hagiographic compilation in French prose which recounts the lives of the apostles, martyrs, confessors and saints. Some of the accounts are attributed to Wauchier de Denain. The manuscript is dated to the first quarter of the 14th century; it was decorated by the Papeleu Master and the illuminator Mahiet and notably contains more than eighty historiated initials.
Online Since: 03/17/2016
This richly decorated book of hours was illuminated in Tours in about 1500, for an owner from Toulouse. In the 15th century, the city of Tours and the Loire valley region were home to the court of the kings of France. This manuscript is closely connected to that glorious past era. The name of court painter Jean Bourdichon (ca. 1457-1521) is associated with two of the miniatures in this book of hours. The other 35 miniatures were painted by three book painters from the atelier of Jean Poyer (+ before 1504), also well-established in Tours.
Online Since: 07/04/2012
The greater part of the manuscript (pp. 21-598) is a compendium by Joseph b. Elijah Tirshom titled Sefer Shoshan Yesod Olam that includes 2174 numbered paragraphs, containing, inter alia, a book of magic called Harba de-Moshe (Sword of Moses) and other texts. Copied in the Ottoman empire in a 15th century Byzantine script with additions in later hands.
Online Since: 06/09/2011
One of the earliest manuscript exemplars of the version of the Tanhuma midrash text known among scholars as the "printed text" (first printed in Constantinople, 1520-22), as distinguished from the version first edited and printed by Solomon Buber in Vilnius, 1885. Copied probably somewhere in the Orient around the 14th century, the Hebrewscript is Oriental semi-cursive.
Online Since: 12/13/2013